my reading journal

my reading journal

Monday, February 27, 2012


Bartleby the Hero
            First impressions are not everything. For instance, at first reading of Herman Melville’s short story “Bartleby, the Scrivener: A Story of Wall-street”, I was left aggravated and searching for meaning. However, through closer inspection it is easy to see that this fiction has subtle depth and understated meaning throughout its paragraphs. We are introduced to a scrivener named Bartley, who appears lazy as he repeats that he would “prefer not to” (Melville, par 21) do any type of work at all, as well as his boss who appears intellectually endowed and merely a victim of Bartleby’s strange ways. As you will see appearances can be deceiving. Truly, Bartleby is the hero of Herman Melville’s story in his refusal to participate in a workplace that represents the sad, dreary atmosphere of a bureaucratic, industrialized society.
            First, let us examine the Narrator. He is an older, well-educated man who thinks highly of himself and his place in society. He is the epitome of capitalism. “My avocations had been largely increased. The good old office, now extinct in the State of New-York, of a Master in Chancery, had been conferred upon me.” (Melville, Par 4) He is very proud of his accomplishments. Also, he could be described as a calloused man, “The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method. (Melville, par 3) He is proud to be a man that is admittedly very smart and methodical in the business world. However, for all the business sense that he possesses he lacks compassion and human empathy. This is evident in the way he interacts with his employees. He refers to his other scriveners by the way of nicknames and can readily list their faults;The difficulty was, he (turkey) was apt to be altogether too energetic. There was a strange, inflamed, flurried, flighty recklessness of activity about him.” (Melville, par 6) The lawyer sees his scriveners only for their faults. This is important because he interacts with Bartleby in the same manner, hardened and aloof. Never really paying much attention to Bartleby as a person until his productivity begins to suffer and thus affects the narrators business. Eventually, when Bartleby “prefers not to” (Melville, par 21) do anymore copying and is no longer beneficial to the narrators business he only wishes to be rid of Bartley so that he does not negatively impact his agency or way of life.
            In this story, the narrator is a symbol for modern capitalism. In this new workplace employees are replaceable. Self-worth is ascertained only through the work that you can provide. This is truly a story about Wall Street and its influence on society and the human condition.
            Next, let us examine the hero of our story. Bartleby is first introduced to the reader when he answers an advertisement placed by the nameless narrator. He is hired by the lawyer to copy law documents by hand. Bartleby is described by the narrator as “pallidly neat, pitiably respectable, incurably forlorn!” (Melville, par 15) However, in the beginning Bartleby’s odd demeanor doesn’t bother the lawyer. He is a young man who is very good at his job and the lawyer believes his quiet manner will do well to balance out the temperaments of his other employees. “At first Bartleby did an extraordinary quantity of writing. As if long famishing for something to copy, he seemed to gorge himself on my documents. There was no pause for digestion. He ran a day and night line, copying by sun-light and by candle-light.” (Melville, par 18) However, when the work of a scrivener fails to fulfill Bartleby and the narrator continues to belittle him and his coworkers, he decides that he would “prefer not to” (Melville, par 21).  Upon analysis, it is understood that Bartleby is not simply a lazy worker; he is actually a very skilled scrivener that lacks motivation. Although, at first glance, Bartleby would be considered to be lonely and unhappy, it is his lack of human connections that allows him to be disconnected from the world. This separation from society allows him to be completely free off the pressures of the lawyer’s world to fit in and gain acceptance. He has the capacity to do as he desires.  Therefore, Bartleby decides to follow his own principals and not become a soulless product of the narrator’s hardened world of capitalism.
            Bartleby symbolizes the working class of the American society. Creativity, self-worth, and personal relationships have no place on Wall Street. Big business became the governing force of American life. Society became less concerned with a person’s overall well-being and instead focused on the bottom line of production and currency.  Bartleby is the hero of Herman Melville’s story because of his refusal to participate in a workplace that represents the sad, dreary atmosphere of a bureaucratic, industrialized society. He was very talented at his job he simply refused not to work once he was treated like another nameless and replaceable worker. Although, in the end Bartley dies in prison, he does so on his terms. He is the hero because he does not allow himself to be silenced; he makes a lasting impact on the narrator and does not become another product of capitalism.
Works Cited:
Melville, Herman. "Bartleby, the Scrivener: A Story of Wall-street." Bartleby. N.p., 2011. Web. 26 Feb 2012. <http://www.bartleby.com/129/>.

Saturday, February 18, 2012

Bartleby, the Scrivener: A Story of Wall-street

 
Bartleby, the Scrivener: A Story of Wall-street is the sad telling of a man who has lost all will to live. At first look, this is a dry account of a gloomy man who comes to work as a copyist. However, once you dig a little bit deeper into the sub context, to find the story within the story, you start to realize it is so much more. Bartleby represents the human condition. He is the range of emotions and problems that are prevalent in societies spanning the history of civilization. The narrator of the story represents the part of society that would rather hide its face when confronted with adversity than acknowledge it is there. “Ah, happiness courts the light, so we deem the world is gay; but misery hides aloof, so we deem that misery there is none.” (Melville, par 89)
At first, when the narrator is confronted with Bartleby he is annoyed. He thinks of Bartley only in terms of the negative effects that he might have on himself, his employees and his office. “And I trembled to think that my contact with the scrivener had already seriously affected me in a mental way”. (Melville, par 115) The narrator represents how society can judge a person before knowing anything about them. In fact, the narrator cares little about Bartleby as a person until he fails to keep up production.
                Secondly, when ignoring Bartleby is no longer affective, the narrator decides that the only option is to fire Bartleby. Although, he expresses that he feels bad for him, he doesn’t want to have to inconvenience his life any further, and instead tries to buy Bartleby off. “The time has come; you must quit this place; I am sorry for you; here is money; but you must go.” (Melville, par 138)
                As the story progresses, the narrator starts to become fond of Bartleby. Bartleby states “ I would prefer not to” as he has so many times before, but this time, the narrator has a change of heart and decides that Bartleby really isn’t hurting anyone by being there, and lets him stay. That is until his clients and colleagues start to comment. “I believe that this wise and blessed frame of mind would have continued with me, had it not been for the unsolicited and uncharitable remarks obtruded upon me by my professional friends who visited the rooms.” (Melville, par 168) In the end, the narrator cares more about what is being said about him and his office than what he knows is right. Often, we as society do not help those in need because of a greater fear of what others might think of us.
                Next, the narrator decides that the only thing left to do is to move to a new office. This is ironic because in the story he mentions that calling the police himself when Bartleby refused to leave would be too harsh of a consequence. However, the narrator is fully aware that when he leaves the office building the new tenants will likely call the police. The narrator is fine with Bartleby going to jail as long as he cannot be held responsible for him being there.
                Finally, the narrator decides to take responsibility for Bartleby once he is already in jail. He tries to become his friend; however, Bartleby is too far gone. Bartleby dies in jail. It is only now once it is too late that the narrator acknowledges that Bartleby was in fact his friend. In society, we habitually ignore our problems until it becomes too late. If the narrator had taken the time to get to know Bartleby before he passed away there is a very good chance this story could have had a different ending. However, as it is, this story taught me about social responsibility and compassion for our fellow “sons of Adam” (Melville, par 89).


Click HERE for information on the history of the scrivener.


Works Cited:
Melville, Herman. "Bartleby, the Scrivener: A Story of Wall-street." Bartleby. N.p., 2011. Web. 19 Feb 2012. <http://www.bartleby.com/129/>. 

Saturday, February 4, 2012

"A Modest Proposal" by Jonathan Swift


“A Modest Proposal” is Jonathan Swift’s well-thought out satire that sheds light on the economic struggles and religious wars of the 18th century. The article specifically references the connection between the cruel English landlords and the complacent poor Irish. The English are brutal tyrants who strip the Irish of their possessions and then hold their poverty against them. The Irish are depicted as ignorant and easily controlled, gathering in public to beg for money accompanied by their numerous children. Clearly tired of the scenes unfolding around him Swift takes a stand and offers a shocking proposal to the problem. His solution is for the poor Irish beggars to begin offering up their children to be sold to the rich as food. At first I was alarmed, Swift is so subtle in his approach that it is not apparent whether he is serious or merely joking.  
After reading, and perhaps rereading this article you begin to understand that Swift, although, not serious wants this article to serve as a wakeup call to the public. Swift wants the many Irish mendicants to rise up out of their circumstances and stop being so submissive to the English. Likewise, Swift would have the English forego their snobbery and stop punishing the Irish for their lowly state that was imposed on them by the English in the first place.
Although at its core Swift’s proposal is severely flawed, if you look at the idea at its most basic form it begins to make a lot of sense. Children present a huge economic dependency without the ability to give back or contribute to the family in any way. Through selling your children, “instead of being a charge upon their parents, or the parish, or wanting food and raiment for the rest of their lives, they shall, on the contrary, contribute to the feeding, and partly to the cloathing of many thousands.” (A Modest Proposal pg. 2) Additionally, without children to attend to mothers could gain jobs and bring in much need income. Marriage would increase and domestic abuse would diminish as husbands would be afraid to strike their wives for fear of miscarriage and loss of potential income. Travel would increase due to the demand for babies cooked just right. Lastly, woman would become better mothers now that their children represent significant income.
Overall, I am surprised to say that I enjoyed this assignment. Peeling back the layers of this article to undercover Jonathan Swift’s sarcastic, dark sense of humor was very enlightening. I believe that this article served to point out a political wrong as well as add humor to a very troubling time in history. I am looking forward to more assignments that open my eyes to the multifaceted world of literature. Here is a link that provides information both about Jonathan Swift and  “The Glorious Revolution” 18th century.

WORKS CITED:
1)      Baker, Lyman. "Conditions in Early Eighteenth-Century Ireland." www.ksu.edu. Kennesaw State University, 1999. Web. 4 Feb 2012. <http://www-personal.ksu.edu/~lyman

2)      Vallance, Edward. "The Glorious Revolution." BBC. N.p., 2011. Web. 5 Feb 2012. <http://www.bbc.co.uk/history/british/civil_war_revolution/glorious_revolution_01.shtml>.

3)      Gillett, Ashley. A Newborn. August 2, 2010. Photograph. Flicker.com. Web. 4 Feb. 2012. http://www.flickr.com/photos/ashleysbusy/4853725724/